0 In los angeles

modern art in dtla

I could spend hours in a good museum. The Broad is a very very good one, and it’s free to boot! It seems like I made our reservation to visit the Broad Museum a lifetime ago, but it just finally rolled around. In the typical mayhem that is my life, I had an early flight, landing at LAX just in time for David to pick me up and for us to head downtown for a morning of art appreciation.

I don’t fancy myself some great art critic, but I’m educated, open minded and appreciative of the artistic spirit. It may not speak to me, but I’m interested in it regardless. My view can be too literal for some modern art, but that wasn’t the case at the Broad- the collection is incredibly well curated, one of the best of contemporary art I’ve come across. Even the most absurd of exhibits had accuracy.

I adore art that really impacts- that makes you think. Some of the seemingly simplest works of art pull me to introspection. The installation of FEMA propane barrels was so intricate up close, and the Katrina kid in me will carry that with her always. The graphic art was almost pointed. I love when I want to inspect a piece of art up close, when it engages me that way, and the Murakami portion of the exhibit did just that.

I’ve been super-inspired by negative space lately, in design and art, so admired this divided embrace piece for a little while. It’s far larger than the picture depicts, with the green aspects the size of doors.

We’d seen Jeff Koons’ Tulips when it was on display in Las Vegas, but I’d only seen his other works in print. They are just giant, much bigger that I anticipated, pretty much embodying all things glossy shiny prettiness. Total picture bait too- we had to be patient to get these shots while there were high school field trips in house. Teenage girls are very vocal in their admiration of my hair, for what it’s worth.

I love how fun modern art is, and how truly creative it can be. Don’t get me wrong, I can spend hours among the Impressionists, but sometimes it’s just really enjoyable. After flying, and LA rush hour traffic, I was tired and cranky when we reached the museum, and it managed to turn my mood around quickly. And David loves museums a lot less than I, but we both really had a good time at the Broad.

The Broad is beautiful inside and out, but in a really approachable way. I enjoy the art in the random, like cleanly designed administrative offices (yes, I peeked). I swore every other person on the escalator was taking a selfie, then realized why when I stepped into the tunnel. And I loved the little voyeur window into the vault, an art exhibit in itself.

It’s probably the New Orleanian in me, but I always find myself enraptured when beauty and breakdown combine in art. Both Julian Schnabel’s The Walk Home and Urs’ Fischer’s untitled melting lamppost really drew me in.

Our tickets were for just after opening, so we were early enough to secure a spot to see Yayoi Kusama’s Infinity Mirrored Room. There is a separate ticketing kiosk inside, for 45 second slots within the exhibit, but it normally reaches capacity for the day about 1 pm. We were paged to the exhibit about two and a half hours after we ticketed. An undulating LED light show in a dark mirrored chamber, inspired by the artist’s hallucinations, it was stunningly beautiful, stimulating and exhilarating, and over way too soon.